In Laredo One Day
Nil sa saol ach gaoth agus toit.*
©2005 Jeff Streeby
You, Bard of Armagh, bravely booted and spurred,
ghost yet abroad down the long boardwalks of Laredo, are you?
A melody (there perhaps a fife is playing lowly),
a phantom phrase of Ireland come unbidden,
seems to linger here in the air like smoke;
a memory (there perhaps a drum is beating slowly),
a muted Gaelic word that whispers itself forever,
rides down the wind of Tombstone, Ogallala, Deadwood...
An old Ambrotype in a dusty archive
shows you sitting on a wooden bucket, a self-conscious Irish lad,
(A strange pied knowledge flickers in the firelight,
tugs upward toward a smile that might linger there along the curve of your lip.)
throat mantled and bannered by a bold bandanna
hat a-tilt (a jaunty angle)
(How must the jinglebobs and heelchains at your bootheels ring and jangle
as Oh! once in the saddle you used to go dashing!)
holstered Colt heavy hanging at your hip
and resting on your knee an Irish fiddle.
(That sweet screech! The tune refrains you; still shivers the air!)
Above you ever hangs a silver summer moon.
Behind, your nighthorse in silhouette and a wagon.
There a bright lantern depends from a rear axle? a wheel spoke?
This relic of a moment long ago remains unchanged
though that night passed and the next sun rose and the next, the next.
So many things drifted away down the wind over the green valleys
where once the great wild herds of longhorn cattle ranged
until at length everything has become passing-strange
and insubstantial as history
as smoke of that long-cold Texas cow camp fire.
Yet does your ancient fiddle bow that scrapes the deathless strings
tell us that anywhere, among the many ordinary-seeming things--
perhaps the chance that haunts the green felt where the bright cards fall,
perhaps the hollow echoes of dramhouse glasses that clink together in mock regard,
perhaps the sudden concussion, the pistol's report, the flame, the smoke pall--
there waits, to be bard-borrowed, fiddle-fashioned and guitared,
all the stuff of ballad and of legend, still whole, hale, hearty, and alive.
In melody,
in memory,
the muted Gaelic word, the phantom phrase of Ireland,
and you, immortal Bard of Armagh,
all, all, all survive.
*(In life there is only wind and smoke. Irish proverb)
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SAMPLE SELECTIONS FROM SUNDAY CREEK:
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We see six black horses wearing six black plumes
draw the long, black hearse to grave and tomb.
We see six white clouds in a wide blue sky
hide the sun from sight as the hearse rolls by.
We see six cold bells in their steeples tall,
and they solemnly toll the doom of all.
We see six black collars with silver hames
worn by six black horses with six black names.
We see the black hooves rise. The black hooves fall.
A bitter wind stirs the funeral pall.
We see six black horses, as black as night.
Double trees groan as the tugs draw tight.
We see six plumes waving as black hooves crash,
sweeping hope to dust, grinding dreams to ash.
We see six black horses, all in their places,
striking their sure and steady paces.
We see six black horses. The black wheels roll.
The trace chains jingle, and the church bells toll.
We see six black horses, smell deep-delved loam,
hear black wheels rattle, find the last, long home.
We see cowboy, statesman, trull, and maid
ride ribbons in the dust black wheels have laid.
When they say God's mansion has many rooms,
we see six black horses wearing six black plumes.
© 2001, Jeff Streeby, All Rights Reserved
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Tall Bird
(1852-1892)
I went far away to see that medicine man
who said the whitemen will disappear--
who said our dead will rise up--who said those living now will live forever--
who said the buffalo woll come back to us--
We danced the dance of the Ghosts together, he and I.
I danced until I died.
I saw it all, as he said.
Then I returned.
Then it was I
who said the whitemen will disappear--
who said our dead will rise up--
who said those living now will live forever--
who said the buffalo will come back to us--
We danced the dance of the Ghosts together, you and I.
We saw visions.
It was all as I said.
We made our magic shirts.
We danced for our deliverance.
We danced until we died.
At our camp far up on Sunday Creek,
White Buffalo Calf Woman came to us from a cloud in the sky.
We saw it all was true.
But we could not return.
The bullets of the Hotchkiss guns broke our magic.
We will not rise up now.
We know that nothing lives forever but the earth and the mountains.
Only the wind knows this place.
We dance the dance of the Ghosts here.
We see our visions.
Ah-Ho!
Notes on Tall Bird (1852-1892):
Tall Bird's character is based on Kicking Bear, the Sioux mystic who brought the Ghost Dance Religion to the Sioux tribes from the Southwestern United States. (Kicking Bear also introduced the Ghost Shirt which came to be worn by the ritual's practitioners during the ceremonial dances. The cult eventually developed the belief that these shirts were proof against bullets.) Tall Bird is treated here as a "failed prophet" and is developed as a character paralled to the Irish-American Patrick Thomas Culhaine.
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I pulled my weight like all the rest--
rode the outside circle on the roundup in the broken country east of Sunday Creek--
did rough service for my outfit in the breaking pen
twisting the wild out of snuffy broncs--
stood my turn at guard under Montana stars thick as snowflakes--
and no complaint--
rode a freight train to Chicago once when Nedringhaus shipped steers--
At 22, I'd had my share of fun--
And then topping a rise one bright August afternoon
wondering at the length of shadow that we, man and horse, cast down the hillside,
the world went white and hot at once
and I, my last flash of wit caught in the like instant when flint strikes steel,
tried to say
"By God. Lightning."
Who'd have thought?
© 2002, Jeff Streeby, All Rights Reserved
Notes on Wiley Rawlins (1867-1889)
"Wiley Rawlins" is based on the description of the death of Wiley Collins given by D.J. O'Malley in his poem "To the Memory of Wiley Collins" which appears in his book Reminiscences and Poems of Early Montana and the Cattle Range as published in From Texas to Montana: Collection 2, (Dallywelter Press, 1996).
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Everett Ware
God Almighty, but don't I hate a damn wolf.
When I first started out at the N-Bar-N
I seen five of them kill a calf.
75 pounds. Not even dry yet.
Six minutes. Six minutes! That's all.
And he bawled and thrashed for two.
Just six minutes and there was nothing left.
Nor scrap of bone nor hair nor even teeth.
They even ate the bloody snow and the damn grass.
Then they hamstrung the old cow for good measure.
By golly, they never got hungry again. None of them.
I learned my life's mission that day.
For thirty-six years I hunted out them vermin.
By the thousands and thousands.
Poison.
Traps and snares and dead falls.
My dog pack.
My 30-40 Kraig.
Then she come along.
She was like a ghost.
White, too. And strange.
Not another wolf track made for hundreds of miles around
and all of a sudden, by golly, there she was.
She was the last one.
In the two years I hunted her,
she killed more stock than any hundred ordinary wolves.
She'd feed on one and kill six or eight, whatever they were,
or tear them up so bad they'd have to be shot. Every time.
Killed thirty-some-odd hogs in one night in a pen out at the Prior's place.
Killed one of Fitz-Allen's fancy foals and run nine broodmares over a cutbank.
She killed over a hundred sheep at Jessup's in just one night and crippled forty more.
I never seen such a mess as that.
She come right into people's yards. regular, and killed their dogs.
Right here in town. Sometimes in broad daylight.
Killed the Hensen's house cow in her own stall inside the barn
and Hensen splitting wood not fifty feet away.
He seen the white brute, all bloody, come busting out a window.
All the doors was shut. He never heard nothing.
Couldn't say how she got in.
Never seen nothing like her.
Never seen one so smart.
She spoil all my sets and foul my poison baits.
Once she run my fur trapline, too, and dug up and sprung every trap.
Never seen one so purely savage, neither.
She killed both my kill dogs in the same week--
the Airedale and the crossbred deerhound--
and boogered up half my pack.
She string them out and then double back and strike the laggards.
Runs-his-horses was spooked by the beast.
Said it was a bad spirit or some such come back for vengeance.
It got to where finally I'd see her more and more often
like she'd wait for me to find her bloody work.
Then she'd just trot off over the ridgeline
and always careful to stay clear, just out of rifle range,
watching me like, like-- well, like I don't know what--
like maybe she knew some terrible secret that was hid from me yet.
Then she come onto Danforth's headquarters one night
and went after that big black stud horse.
But Othello, he wasn't having none.
She tore him up something awful
and he damn near bled out--
took all of 300-odd stitches to close him up--
but he crippled her good.
I tok up her trail right then by moonlight.
This was my chance and just didn't I know it.
She was dragging the left hind leg
and there was blood in the tracks.
Took a week--
but there wasn't never no doubt.
We made the eastern papers then--
at least Chicago, Minneapolis, and Omaha,
"Devil Wolf of Sunday Creek Taken at Last."
"Government's Wolfer Ends White Wolf's Two-Year Reign of Terroe"
"Last Raid of Famous White Wolf 'The Prairie Scourge.'"
They stuffed her then
and set her in the window down to the hardware store.
The Last Wolf.
My life's work. Complete.
You know, by golly, standing there in the window,
she surely didn't look like near so much as she really was.
And you know, she's still in the window there.
The town council even put a sign out on the highway
when the new road went through
and so folks stop by every day just to see her--
just like they do them two stuffed man-eater lions in Chicago.
You know, I been in the ground here since 1928, not half a mile from her.
Now I'll tell you the terrible damn secret.
Not single solitary soul, nary a one,
has come to this spot on purpose for nigh onto seventy-five years.
God Almighty, but don't I hate a damn wolf.
Notes on Everett Ware (1873-1927):
This character is fictional. The wolf is based on reports and descriptions in the public record and on popular folk tales concerning the depredations of the White Wolf of Stanford, Montana. The description of the wolf attack on the calf is based on an eyewitness account of such an attack which has been reported in the poem "Six Minutes and Forty-five Seconds" by Don Kinnington, published in From Texas to Montana: Collection 2, (Dallywelter Press, 1996)
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One: We are your own, your unexalted dead.
These, but the echoes of our voices.
All: This, our chorus.
One: We are here.
All: We are here.
One: We see six black collars with silver hames
worn by six black horses with six black names.
All: We see six black horses, as black as night.
Double trees groan as the tugs draw tight.
One: We see black hooves rise. The black hooves fall.
A bitter wind stirs the funeral pall.
All: We see six black horses. The black wheels roll.
The trace-chains jingle and the church bells toll.
One: We have seen.
All: We have seen.
One: We were children fair in the eyes of God,
making bright the path where these horses trod.
Male voices: We were lawdogs grim, aiming long black Colts,
passing on with lightnings and thunderbolts.
We were wild young cowboys, mounted well,
chousing after them all, and we went like Hell.
We were gallant troopers with our sabers drawn
riding at the gallop where the rest had gone.
We were pious preachers on spotted mules.
We prayed God's mercy on sinners and fools.
One: We were gamblers all, drawing eights and aces,
and we bowed to death wearing poker faces.
Female voices: We were lovely maidens, all dressed in white,
following along, and our hearts were light.
We were painted jades, all dressed in red,
weeping, and our hearts were heavy with dread.
We were old, old women, all dressed in black,
following a road with no way back.
All: We see six black horses, all in their places,
striking their sure and steady paces.
One: With what voice will you speak
the story of your own genuine and eternal moment?
All: We are waiting.
One: We are waiting.
All: We will see.
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SAMPLE POEMS FROM THE WILD CREW
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As I rode out just this morning,
There were Four Riders I did see
There in the clouds above Square Butte,
And They come ridin' straight at me.
One Rider forked a chestnut colt
that reared and squealed and blowed.
A buckskin mare, just hide and bones,
a Second Rider rode.
A Third bestrode a haggard black,
Gaunt, sick, and hollow-eyed,
And He used him hard with quirt and word,
And He spurred him, too, besides.
The Fourth One sat a pale horse,
And He seemed the One to note,
And when He looked me in the eye,
The bile rose in my throat,
For then I knowed each sev'ral one
That rode with that Wild Crew
And like They rode at me today,
Some day They'll ride at you.
And a killer rides the red horse
And the horse's name is War.
That buckskin mare, she's Famine,
That the Second Rider bore.
The Third, He topped Black Pestilence,
Vile sickness and disease.
The Pale Rider on the fleabit gray
Pinched Death between His knees.
And if that Rider speaks your name,
Your blood will turn to ice,
For the wages of your sins is Death
And Eternity's the price
To ride the Waste behind Them
And to wear the Devil's brand
For when you wear a heart so black,
You can't make God a hand.
Well, They rode on by and let me be
So's I could bring this tale to you,
But I know dang well I won't ride out
From a second rendezvous.
But when They come, you'll know Them now
They're outlaws- gallows bait.
They're somewheres, a-doggin' our back trail-
And don't you think They ain't.
© Jeff Streeby
This poem may not be reprinted or reposted without the author's written permission.
"The Wild Crew" has been released as a song entitled "Ride, Cowboy, Ride" on CD by
Western singer/songwriter Ken Overcast (Grammy-nominated) of Chinook, Montana, under the Bear Valley Records label.
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LEARNIN TO ROPE
One time, when I was young an' green,
I couldn't o' bin above thirteen,
Me an' Dick an' Everett thought we'd try
To rope some calves an' git 'em tied
Just like in the Rodeo.
So we sneaked across the neighbor's fence
An' dang near run 'is calves to death,
But we got one ketched an' got 'im tied.
It were a source o' towerin' pride.
We'as a dandy Wild West Show!
We figgered as how we hadn't got caught,
We might as well go back as not.
So we did. Agin an' agin an' agin.
We got so's we could gag an' flank 'em under ten,
After we got 'em on the go.
Once Dick an' Everett was gone away,
An' I din't have nothin' to do all day,
So I saddled Ol' Joker an' we hit us a lope
A-huntin' up that neighbor's calves to rope.
I wore a cocky little grin.
I had a ol' soft-wore Maguey
That my Uncle Bud had give to me.
I had 'er tied on hard an' fast.
That gol-dang knot'as meant to last
Through thick an' thin.
We jumped a calf in a little draw.
A trickier hide I'ad never saw,
But we follered, I throwed, an' my first loop hit,
An' I'as out o' the saddle, off, an on top o' it
In fine Rodeo fashion.
I run up the rope an' flanked 'im down
An' I'as a-gittin' 'is laigs all swung around--
Two wraps an' a huey an' we'd be through
An' I'd have to find somethin' else to do--
When I heard the brush a-crashin'.
That mama cow'as plumb on the fight!
She'as a-pawin' left an' a-snortin' right!
Her tail stood up jus' like a poker!
I sorely feared fer me an' Joker.
We'as in a hurt.
I heard 'er beller an' turned to skedaddle,
But 'er calf'as still necked off to my saddle.
The calf run off around the horse
An' my rope slapped Joker's tail, o' course,
Jus' like a quirt.
Well, he quit the country quick as a flash,
A-draggin' that calf like a bag o' trash!
I follered Ol' Joker with that cow on my tail,
A-runnin' like sixty, a-burnin' the trail.
I near out-run my shirt.
I leapt over washouts an' vaulted mesquite,
I ducked around rock-piles-- I'as quick on my feet,
With that cow right behind me fer over a mile,
But she tired an' I distanced her, after a while.
My Gosh! Was I spent!
But way up ahead, I seen Joker's retreat.
That calf bounced in the air 'bout ever' ten feet.
I headed Ol' Joker when he fin'ly slowed down,
An' looked back at that calf all piled up on the ground.
These doin's I'as quick to repent!
Ol' Joker was registered-- my brother's prized horse.
My pa had ferbid me to ride 'im, o' course.
Now he'as liable to founder, I had a calf was drug dead,
An' a run-to-death cow a-hangin' over my head.
I'as wounded in my pride.
I thought mebbe I'd run away to Rock Springs
Er join up with a circus er some other such thing--
Then the ol' cow, a-wheezin', walked up an' she bawled
An' the calf picked 'is head up an' answered 'er call.
My whole personality sighed.
I hand-walked Ol' Joker clear back to 'is stall
An' give 'im a bran-mash an' a rub-down an' all.
An' I hoped in the mornin' he wouldn't be dead,
An' I shut up the barn an' went in to bed.
"Whatcha bin doin'?"
Pa asked me from where he set by the fire.
"Oh, nuthin'," I answered, like a natural liar.
© Jeff Streeby
poems may not be reprinted or reposted without the author's permission
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Yucaipa, California,92399
(909)797-6296