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North, South, East, West ~ The Spirits of the West Whisper on the Wind

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Celtic Connections

CELTIC IMMIGRATION TO THE AMERICAN WEST

As the Irish and Scottish immigrated to the American West, they found work on the railroads, as farmers, grocers and merchants and, for those more adventurous souls, as Cowboys. As they ventured West, the Celtic people brought with then their music and stories. The retelling of these stories has remained, for the most part, unchanged for generations. However, their music and songs were frequently adapted to fit their new surroundings.

A good many of our Cowboy songs that we know today are actually adaptations of early long ballads from Ireland and Scotland. Were it not for Bard of Armagh, which itself was an adaptation of the English Long Ballad Unfortunate Rake, we would not have Cowboy's Lament (Street's of Laredo). The Cowboy's lament had further adaptation when it journeyed into the South, becoming the St. James In firmary Blues. Annie Laurie can be traced back to Scotland. The melody was the work of Lady John Scott and was published in 1835. The origin of the lyrics is sketchy having been traced back, in legend, to William Douglas. Wild Rippling Waters is adapted from the old English folksong The Bold Grenadier. Cowboy Jack is an adaptation of a WWII-era song Blackbirds and Thrushes, which is of English origin. Blackbirds and Thrushes has its roots in the song Lord Gregory, circa 1776. The Irish song Connemara Cradle Song was brought over and adapted to Down in the Valley. The Scottish whaling ballad, 'Fareweel tae Tarwathie' , became The Railroad Corral In many songs, the only thing remaining of the original songs is the melody. The lyrics were adapted to fit the new lifestyle and location. In others, only a few words have been changed to alter the location and possibly the era. There are songs, such as Gary Owens, itself a drinking song, which were used on both sides of the Atlantic to stir up troops before and during battle. These songs which I have mentioned are a few of my favorites and ones which we sing fairly often in our sets. There are a myriad of other Cowboy songs that harkin back to Celtic roots.

THE UNFORTUNATE RAKE

As I was a-walking down by St. James' Hospital,
I was a-walking down by there one day,
What should I spy but one of my comrades
All wrapped up in flannel though warm was the day.

I asked him what ailed him, I asked him what failed him,
I asked him the cause of all his complaint.
"It's all on account of some handsome young woman,
'Tis she that has caused me to weep and lament.

"And had she but told me before she disordered me,
Had she but told me of it in time,
I might have got pills and salts of white mercury,
But now I'm cut down in the height of my prime.

"Get six young soldiers to carry my coffin,
Six young girls to sing me a song,
And each of them carry a bunch of green laurel
So they don't smell me as they bear me along.

"Don't muffle your drums and play your fifes merrily,
Play a quick march as you carry me along,
And fire your bright muskets all over my coffin,
Saying: There goes an unfortunate lad to his home."

The Bard of Armagh

Oh list' to the tune of a poor Irish harper
And scorn not the strain of his old withered hands
But remember those fingers they once could move sharper
To raise up the memories of his dear native land.

It was long before the shamrock, dear isle's lovely emblem
Was crushed in its beauty by the Saxon's lion paw
And all the pretty colleens around me would gather
Loved their bold Phelim Brady, the Bard of Armagh.

How I love to muse on the days of my boyhood
Though four score and three years have fled by since then
It's brings sweet reflection as every young joy should
For the merry-hearted boys make the best of old men.

At a fair or a wake I would twist my shillelah
And trip through a dance with my brogues tied with straw
And all the pretty maidens from village and valley
Call me bold Phelim Brady, the Bard of Armagh.

In truth I have wandered this wide world over
Yet Ireland's my home and a dwelling for me
And, oh, let the turf that my old bones shall cover
Be cut from the land that is trod by the free.

When Sergeant Death in his cold arms embrace me
And lull me to sleep with sweet Erin go bragh
By the side of my Kathleen, my dear bride, place me
And N'er forget Phelim Brady, the Bard of Armagh.

<BGSOUND src="../midimusic/armagh.mid"> The Bard of Armagh is thought to be Patrick Donnelly, a priest in Armagh. Though maintaining his administration of the church at Armagh, he was made Bishop of Dromore in 1697, the same year as the issuance of the Bishops Banishment Act. The Act required many of the Catholic Clergy to leave the Kingdom, and forbid the entry of any clergy. Donnelly became an outlaw and took refuge in Slieve Gullion, Armagh, and assumed the persona of travelling harper Phelim Brady.

According to the Catholic Encyclopedia, however, Donnelly is listed in the government's register of "popish" clergy, dated 1704, as a priest in Newry, Co. Armagh.

The song itself, like many heroic, rebel outlaw ballads, dates from the mid 19th century.

Streets of Laredo (Cowboy's Lament)

As I walked out on the streets of Laredo,
As I walked out in Laredo one day,
I spied a young cowboy all wrapped in white linen
Wrapped in white linen as cold as the clay.

"I see by your outfit that you are a cowboy"
These words he did say as I boldly stepped by,
"Come sit down beside me and hear my sad story,
I was shot in the breast and I know I must die."

"It was once in the saddle I used to go dashing
Once in the saddle I used to go gay,
First down to the dram-house and then to the card house
Got shot in the breast, I am dying today."

"Oh, beat the drum slowly and play the fife lowly,
Play the Dead March as you carry me along,
Take me to the green valley and lay the sod o'er me
For I'm a young cowboy and I know I've done wrong."

"My friends and relations, they live in the Nation,
They know not where their boy has gone,
He first came to Texas and hired to a ranchman
Oh, I'm a young cowboy and I know I've done wrong."

"Go write a letter to my gray-haired mother,
And carry the same to my sister so dear,
But not a word of this shall you mention
When a crowd gathers round you my story to hear."

"There is another more dear than a sister
She'll bitterly weep when she hears I am gone,
There is another who will win her affections,
For I'm a young cowboy and they say I've done wrong."

"Then beat your drum slowly and play your fife lowly,
Beat the Dead March as you carry me along,
We all love our cowboys so young and so handsome,
We all love our cowboys although they've done wrong."

"Go gather around you a crowd of young cowboys,
And tell them the story of this, my sad fate;
Tell one and the other before they go further
To stop their wild roving before 'tis too late."

"Let sixteen gamblers come handle my coffin,
Let sixteen cowboys come sing me a song,
Take me to the graveyard and lay the sod o'er me
For I'm a poor cowboy and I know I've done wrong."

"Get six jolly cowboys to carry my coffin,
Get six pretty maidens to carry my pall,
Put bunches of roses all over my coffin,
Put roses to deaden the clods as they fall."

"Then swing your rope slowly, and rattle your spurs lowly,
And give a wild whoop as you carry me along,
And in the grave throw me and roll the sod o'er me
For I'm a young cowboy and I know I've done wrong."

"Go bring me a cup, a cup of cold water
To cool my parched lips,"  the cowboy said;
Before I turned, the spirit had left him
And gone to his Maker --- the cowboy was dead.

We beat the drum slowly and played the fife lowly,
And bitterly wept as we bore him along,
For we all loved our comrade, so brave, young and handsome,
We all loved our comrade although he'd done wrong.

THE GRENADIER AND THE LADY
Trad. Dorsetshire

As I was a walking one morning in May,
I spied a young couple a-making of hay,
one was a pretty maid and her beauty shone clear,
And the other was a soldier, a bold grenadier.

A-walking and a-talking and a-walking together,
O a-walking so far till they couldn't tell whither,
So they sat themselves down by the clear crystal stream
For to see the flowers grow and hear the nightingale sing.

In kisses and compliments he took her round the middle,
And out of his knapsack he drew forth his fiddle,
And he play'd such a fine tune as made the groves ring:
"Hark hark" said the fair maid, "How the nightingale sings."

"O come," said the soldier, "tis time to give o'er."
"O no," said the fair maid, "we will have one tune more,
I do like your music and the tune of your string,
I do like to see the flowers grow and hear the nightingale sing."

"Then come," says the fair maid, "will you marry me?"
"O no!," says the soldier, "O that can never be,
For I've got me a wife in my own counteree,
O so fair a woman that ever you see."

"I've got me a wife there, and child-er-en three,
Two wives in the army ‘s too many for me,
But if I should return, O it will be in the spring,
I will show you how the flowers grow, make the nightingale sing."

THE WILD RIPPLING WATERS

I was out walking an' a-ramblin' one day;
I spied a fair couple a-comin'my way;
One was a lady as fair as could be,
An' the other a cowboy, an' a brave one were he,
An' the other a cowboy, an' a brave one were he.

Says, "Where are you goin', my pretty fair maid?"
"Jest down by the river, jest down by the shade,
Jest down by the river, jest down by the spring,
See the wifd ripplin' water an' hear the nightingale sing,
See the wild ripplin' water an' hear the nightingale sing."

They hadn't been there but an hour or so
Till he drew from his satchel a fiddle and bow;
He tuned his fiddle all on the high string,
An' he played this tune over an' over again,
An' he played this tune over an' over again.
"Now," said the cowboy, "I should have been gone."
"No, no," said the pretty maid, "jest play one more song.
I'd rather hear the fiddle jest played on one string
As to see the water glide by an' hear the nightingale sing
As to see the water glide by an' hear the nightingale sing."

He tuned up hisfiddle and he rosined his bow;
He played her a lecture, he played it all o'er;
He played her a lecture that made the valley ring.
"Hark! Hark!" said the fair maid. "Hear the nightingale sing.
Hark! Hark! " said the fair maid. "Hear the nightingale sing."

She said, "Dear cowboy, will you marry me ? "
He said: "Dear lady, that could never be.
I have a wife in Arizona, an' a lady is she;
One wife on a cow-ranch is a plenty for me,
One wife on a cow-ranch is a plenty for me."

"I'll go to Mexico, I'll stay there one year;
I'll drink sweet wine an' I'll drink lotta beer.
If I ever return here, it will be in the spring,
To see the bright ripplin'water, hear the nightingale sing,
To see the bright ripplin'water, hear the nightingale sing."

Come all you young maidens, take warning from me;
Never place your affections in a cowboy too free;
He'll go away an' leave you like mine did me;
Leave you to rock cradles, sing "Bye-o-babee";
Leave you to rock cradles, sing "Bye-o-babee".

Lord Gregory

I am a kings daughter, straight from Cappoquin

In search of Lord Gregory pray God I'll find him

The rain rings on my yellow hair the dew wets my skin

The babe is cold in my arms love Lord Gregory, let me in,

Lord Gregory is not here, he henceforth can't be seen

For he's gone to bonny Scotland to bring home his new queen

So leave now these windows, and likewise this hall

For it's deep in the sea you will find your downfall

Do you remember Lord Gregory, as we sat at the wine

We exchanged rings and oh the best was mine

Yours was the purest gold, and mine but false tin

Yours cost a guinea love but mine was false within

And do you remember, Lord Gregory, that night in Cappoquin

You stole away my maidenhead and sore against my will

So I'll leave now these windows and likewise this hall

For it's deep in the sea I will find my downfall

Blackbirds and Thrushes

As I was a-walking for my recreation,
A down by the gardens I silently stray'd,
I heard a fair maid making great lamentation,
Crying, Jimmy will be slain in the wars I'm afraid.

The blackbirds and thrushes sang in the green bushes;
The wood doves and larks seem'd to mourn for the maid;
And this song that she sang was concerning her lover;
O Jimmy will be slain in the wars I'm afraid.

Her cheeks blushed like roses, her arms full of posies,
She stray'd in the meadows and, weeping, she said:
My heart it is aching, my poor heart is breaking,
For Jimmy will be slain in the wars I'm afraid.

When Jimmy returned with his heart full of burning,
He found his dear Nancy all dead in her grave
He cried: I'm forsaken, my poor heart is breaking,
O would that I never had left this fair maid!

Blackbirds is sometimes attributed to Irishman Samuel Lover (1797-1865) because it is included in his novel Rory O'More

       Cowboy Jack

He was just a lonely cowboy
With a heart so brave and true
He learned to love a maiden
With eyes of heaven's own blue

They learned to love each other
And named their wedding day
When a quarrel came between them
And Jack he rode away

He joined a band of cowboys
An tried to forget her name
But out on the lonely prairie
She waits for him the same

One night when work was finished
Just at the close of day
Someone said sing a song Jack
Twill drive those cares away

When he reached the prairie
He found a new made mound
His friends they sadly told him
They'd laid his loved one down

They said as she was dying
She breathed her sweetheart's name
And asked them with her last breath
To tell him when he came

Your sweetheart waits for you Jack
Your sweetheart waits for you
Out on the lonely prairie
Where the skies are always blue

CONNEMARA CRADLE SONG

On the wings of the wind o'er the dark rolling deep
Angels are coming to watch o'er thy sheep
Angels are coming to watch over thee
So list to the wind coming over the sea

Chorus:
Hear the wind blow love, hear the wind blow
Lean your head over and hear the wind blow

Oh, winds of the night, may your fury be crossed,
May no one who's dear to our island be lost
Blow the winds gently, calm be the foam
Shine the light brightly and guide them back home

Chorus

The currachs are sailing way out on the blue
Laden with herring of silvery hue
Silver the herring and silver the sea
And soon there'll be silver for baby and me

Chorus

The currachs tomorrow will stand on the shore
And daddy goes sailing, a sailing no more
The nets will be drying, the nets heaven blessed
And safe in my arms dear, contented he'll rest

Down In The Valley  

Roses love sunshine, violets love dew
Angels in heaven know I love you
Know I love you, love, know I love you
Angels in heaven know I love you

If you don't love me, love whom you please
Throw your arms round me, give my heart ease
Give my heart ease, love, give my heart ease
Throw your arms round me, give my heart ease

Build me a castle, forty feet high
So I can see her as she rides by
As she rides by, love, as she rides by
So I can see her as she rides by

Write me a letter, send it by mail
Send it in care of the Birmingham jail
Birmingham jail, love, Birmingham jail
Send it in care of the Birmingham jail

Down in the valley, valley so low
Hang your head over, hear the wind blow
Hear the wind blow, love, hear the wind blow
Hang your head over, hear the wind blow


 

Fareweel Tae Tarwathie

Fareweel tae Tarwathie, adieu, Mormond Hill,
And the dear land o' Crimond, I bid you fareweel.
I am bound now for Greenland and ready to sail,
In hopes to find riches a-hunting the whale.

Our ship is weel-rigged and ready to sail,
Our crew they are anxious to follow the whale,
Where the icebergs do float and the stormy winds blaw,
And the land and the ocean are covered wi' snaw.

The cold coast o' Greenland is barren and bare,
No seed-time nor harvest is ever known there,
And the birds here sing sweetly on mountain and dale,
But there isna a birdie tae sing tae the whale.

There is no habitation for a man to live there,
And the king of that country is the wild Greenland bear,
And there'll be no temptation to tarry long there,
With our ship bumper full we will homeward repair.

RAILROAD CORRAL

We're up in the morning
At breaking of day,
The chuckwagon's busy,
With flapjacks in play.
The herd is astir
Over hillside and vail,
With the night riders crowding them
Into the trail.

Come take up your cinches,
Come shake out your reins,
Come wake your old broncho
And break for the plains.
Come, roust out your steers
From the long chapparal,
For the outfit is off
To the railroad corral.

The red sun is blazing;
The steers as they plod
Are pounding to powder
The hot prairie sod;
It seems, as the dust
Makes you dizzy and sick,
That we'll never reach noon,
And the cool shady crick.

So tie up your bandana
And ply up your nag;
Put aside all your grumblin',
And try not to lag;
Come on with your steers
From the long chapparral,
For we're far on the road
To the railroad corral.

GARRYOWEN

[Garryowen is known to have been used by Irish regiments as a drinking song. The name is
derived from Gaelic meaning Owen's garden, and is nowadays part of Limerick city.
That was where the 5th Royal Irish Lancers made their home, and soon the song became
associated with the Lancers' drinking. The Irish poet Thomas Moore wrote the words around
1807. The tune is first documented as Auld Bessy in 1788.
General George Armstrong Custer reportedly heard the song among his Irish troops and liked
it. Lieutenant Colonel (Captain) Myles W. Keogh and several other officers with ties to the
Fifth Royal Irish Lancers and the Papal Guard, two Irish regiments in the British Army,
were believed to be instrumental in bringing the air to the regiment. The tune was then
played so often the 7th Cavalry became tied to it. In 1867 it was adopted as the official
marching song of the Seventh Cavalry. It was the last song played for Custer's men as they
left general Alfred Terry's column at the Powder River and rode into history by being
defeated by the warriors of the Lakota, Cheyenne and Arapaho nations on the morning of
25th June 1876 at the Battle of Little Bighorn]

Let Bacchus' sons be not dismayed
But join with me each jovial blade
Come booze and sing and lend your aid
To help me with the chorus

Chorus:
Instead of spa we'll drink brown ale
And pay the reckoning on the nail
For debt no man shall go to gaol (jail)
From Garryowen in glory

We are the boys that take delight in
Smashing the Limerick lamps when lighting
Through the street like sportsters fighting
And tearing all before us

We'll break the windows, we'll break the doors
The watch knock down by threes and fours
Then let the doctors work their cures
And tinker up our bruised

We'll beat the bailiffs out of fun
We'll make the mayor and sheriffs run
We are the boys no man dares dun
If he regards a whole skin

Our hearts so stout have got us fame
For soon 'tis known from whence we came
Where'er we go they dread the name
Of Garryowen in glory

Johnny Connell's tall and straight
And in his limbs he is complete
He'll pitch a bar of any weight
From Garryowen to Thomondgate

Garryowen is gone to rack
Since Johnny Connell went to Cork
Though Darby O'Brien leapt over the dock
In spite of judge and jury


It wasn't just the Celtic influence which molded Cowboy songs into what we sing today. There was strong influence from the corridos of the Vaqueros, as well as the songs and hollers of black cowboys. The combination of Alpine Yodeling and Slave hollers has blended in to the Yippee-Ay-yeahs and trilling yodel of Cowboy Songs. With the melding of the Cowboys came the blending of their music, spanish guitars, Negroe spirituals, Irish Jigs and Reels, English and Scottish Long Ballads.

The silver screen version of the American Cowboy leads one to believe that the largest percentage of Cowboys were caucasian. However, it was only a small portion of Cowboys who were of anglo-saxon decent. The majority of cowboys were minority races, Hispanic, Native American, Black and Irish. One of the most hailed trail drives of the West was driven by Jesse Chisolm, of Scottish-Cherokee descent. Jack Adaire had large land holdings in Co. Laois, Ireland.  Adaire along with Charles Goodnight established the JA Ranch in the Texas Panhandle. One out of every three Cowboys in the West was a Vaquero. The average cowboy was only 14 to 18 years old and were the sons of local farmers, Spanish speaking Tejanos, Native American Indians and freed African American slaves. It was widely known that the sound of human voices and especially music tended to calm the cattle, so the cowboys on watch would usually sing, hum or whistle as they rode.





 

In November of 2006, whilst attending the Western Music Association's Annual Convention, We were lucky enough to be interviewed by Dakota Livesay of Chronicles of the Old West. As you peruse this page, I hope you will enjoy an excerpt from that interview 




©July 2004